
Dolby Atmos Music
Dolby Atmos opens up an entirely new palette for creative exploration beyond conventional,
two-channel audio limitations, with more clarity, space, and depth.
Music in Dolby Atmos finally lets you be within the song instead of the song playing towards you.
Dolby studio spotlight - Remixing Roxettes hits in Atmos
Avicii-Atmos listening session-Dolby Hollywood

How to make good STEMS for Dolby Atmos
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Ideally all the STEMS combined should be as close to the stereo mix as possible and made from the same session file. Not to be confused with mulitrack files.
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Try to let all STEMS be processed thru the same master chain as the stereo master except limiting.
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Make the STEMS as separated as possible as that opens up for much more possibilities for mixing in Atmos.
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If possible, make dry STEMS and 100% wet STEMS.
When played combined should sound the same but opens up for different placement for dry/wet in the Atmos field.
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Make all the STEMS in either 48 or 96KHz as those are the sample frequencies for Atmos delivery.
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If a published stereo master is available, that should also be sent to the mixer as reference as the stereo and Atmos masters must always be in perfect sync.